Concrete Abstractions: Notes on Form

When:
29 August, 2017 @ 6:00 pm – 9:00 pm
2017-08-29T18:00:00+10:00
2017-08-29T21:00:00+10:00
Where:
UQ Art Museum (Building 11)
University Dr
St Lucia QLD 4067
Australia
Cost:
Free

Sven Lütticken

Art historian, critic, curator​
Tuesday 29 August 6.15 for 6.30 pm
UQ Art Museum (Building 11)
Followed by refreshments
The notion of form seems to belong to the more problematic heirlooms of art history. Indispensable though it may be in more popular use, it has been conceptually dethroned as the discipline has become more focused on the institutional field and the social history of art. Yet in institutional structures and social relations, art history again encounters forms; forms of life, to use Agamben’s term. Consequently, there is a growing interest in the development of a political formalism.
Form as a concept seems to oscillate between the Platonic and the Aristotelian; it can be conceived of as abstract idea, yet it will manifest itself as the concrete (in)formation of an embodied and material shape. This is what made “form” such a master signifier for much of modernity: modern thought and society are marked by the progressive becoming-concrete of the abstract; the productive operationalization of the abstract.
Today, Marx’s value-form breeds designified objects and subjects as financial, juridical and technoscientific forms of “real abstraction” are ever more fully integrated. Against this background, this lecture will address various accounts of form and of formation (a term used by Hegel) to sound out the potential and limitations of the politics of form in art and beyond.
Dr Sven Lütticken is an art historian, critic and curator based in the Netherlands. Lütticken teaches art history at the Vrije Universiteit, Amsterdam and theory at the Dutch Art Institute, Arnhem. Lütticken publishes regularly in journals and magazines such as New Left ReviewTexte zur Kunste-flux journalGrey Room and Afterall, and contributes to catalogues and exhibitions as a writer or guest curator. He is the author of Secret Publicity: Essays on Contemporary Art(2006), Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle (2009), History in Motion: Time in the Age of the Moving Image (2013), and Cultural Revolution: Aesthetic Practice after Autonomy (2017).